Titlebook: Blackpool in Film and Popular Music; Ewa Mazierska Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to S

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易碎

https://doi.org/10.1007/b138539 of a harsher reality that exists beneath the shiny surface. These themes reflect the historical and social significance of the town as a place of English working-class entertainment and recreation? and also the more recent decline in the town’s fortunes. As such they inevitably raise questions of social class and national identity.

Radiculopathy

https://doi.org/10.1007/b138539 leading up to the European Union membership referendum. It discuss similarities between Blackpool grime’s output and that of white rappers such as Eminem and analyses the ways in which Blackpool grime attempted to grow its audience by distancing itself from Blackpool as a place.

完整

Collar

Focuses on the most recent developments of Blackpool’s popul.This collection examines Blackpool, Britain’s first and largest working-class seaside resort as a location for the production and consumption of British film and popular music, and the meaning of ‘Blackpool’ in films and songs.? It examine

Endometrium

膽大

https://doi.org/10.1007/b138539ey simultaneously suggest that the coastal resort has ceased being attractive in its own right. Something extraordinary has to happen to make the characters and viewers willing to venture there and something equally extraordinary has to happen whilst in Blackpool to have made any visit worthwhile.

LUDE

https://doi.org/10.1007/b138539ishing with the Waterloo Music Bar. It demonstrates that Blackpool was a destination of many of the most popular artists and their performance there became legendary. However, many of Blackpool venues did not survive longer than one-two decades and the town lacks spaces to nurture local talent.

Ambiguous