Titlebook: Biographical Television Drama; Hannah Andrews Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Television Studies.Intimacy.T

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Spitzenmanager unter Rechtfertigungsdruck?ma and period drama. It explores how these genres differently handle questions of truth, through discourses of accuracy in the biopic and docudrama, or in melodrama’s expressive use of .. It discusses the critical devaluation of these genres. It examines how the public/private dichotomy is reflected

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https://doi.org/10.1007/978-3-658-12916-3ts, replica costumes or imitative styling, are employed to enhance the text’s truth claims. It then looks at how television actors vary performance style to convey biographical characters’ public personae as well as the private individual beneath. It explores self-conscious style, where biographical

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https://doi.org/10.1007/978-3-658-12916-3 events of a life into a coherent story—is a contested process among biography theorists. This chapter explores these debates in relation to the shaping of biographical stories to suit three television dramatic formats: the single drama, the serial (or miniseries) and the series. Drawing on intervie

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Klassiker der Sozialwissenschaftenthe matter of fidelity, an aspect of adaptation that theorists have attempted to decentre as the primary criterion of value. In biographical drama, fidelity becomes entangled in the ethical question of accuracy, of how truth claims can be substantiated. The chapter surveys various types of source th

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