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Titlebook: Biographical Television Drama; Hannah Andrews Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Television Studies.Intimacy.T

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發(fā)表于 2025-3-21 19:31:23 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱(chēng)Biographical Television Drama
影響因子2023Hannah Andrews
視頻videohttp://file.papertrans.cn/188/187091/187091.mp4
發(fā)行地址Develops a novel fusion of biography studies and television studies.Combines a range of original case studies with archival research and interviews with industry professionals.Examines biographical dr
圖書(shū)封面Titlebook: Biographical Television Drama;  Hannah Andrews Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Television Studies.Intimacy.T
影響因子.“.Biographical Television Drama .breaks new ground as, to my knowledge, the first book-length exploration of the terms in which television engages in biographical storytelling. Backed by robust research in biography studies and British television history, Hannah Andrews deftly unravels the complexities behind the accessibility of biographical television drama. Her book tackles key questions head-on, notably rhetorics and style, narrative and performance and, innovatively, ethics, while also shedding light on the interconnections with other biographical screen forms through a rich corpus. This is an essential critical study that vindicates television drama’s unique place in the histories and practices of screen biography.”.-Belén Vidal, Senior Lecturer inFilm Studies at King’s College London and co-editor of .The Biopic inContemporary Film Culture.This book explores what happens when biography and television meet, in a novel fusionof the two fields of study. Andrews compares core concepts in biography and television studies such as intimacy, the presentation of the self and the uneasy relationship between fact and fiction. The book examines biographical drama’s generic hybridity, a
Pindex Book 2021
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發(fā)表于 2025-3-21 22:11:16 | 只看該作者
Spitzenmanager unter Rechtfertigungsdruck?ma and period drama. It explores how these genres differently handle questions of truth, through discourses of accuracy in the biopic and docudrama, or in melodrama’s expressive use of .. It discusses the critical devaluation of these genres. It examines how the public/private dichotomy is reflected
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https://doi.org/10.1007/978-3-658-12916-3ts, replica costumes or imitative styling, are employed to enhance the text’s truth claims. It then looks at how television actors vary performance style to convey biographical characters’ public personae as well as the private individual beneath. It explores self-conscious style, where biographical
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發(fā)表于 2025-3-22 08:24:52 | 只看該作者
https://doi.org/10.1007/978-3-658-12916-3 events of a life into a coherent story—is a contested process among biography theorists. This chapter explores these debates in relation to the shaping of biographical stories to suit three television dramatic formats: the single drama, the serial (or miniseries) and the series. Drawing on intervie
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Klassiker der Sozialwissenschaftenthe matter of fidelity, an aspect of adaptation that theorists have attempted to decentre as the primary criterion of value. In biographical drama, fidelity becomes entangled in the ethical question of accuracy, of how truth claims can be substantiated. The chapter surveys various types of source th
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