Titlebook: Betraying Our Selves; Forms of Self-Repres Henk Dragstra (teaches English literature),Sheila Book 2000 Palgrave Macmillan, a division of M

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Henk Dragstra (teaches English literature),Sheila

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,Prologue: the Poet as Subject: Literary Self-consciousness in Gower’s , to accept that certain modes of expression and certain modes of thought could not have been present in literature before the development of ‘modern’ conceptions of the unique value of human personality. Yet, even if it must be accepted that (surviving) medieval conceptions of authorship provide lit

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: Protestant Rhetoric and the Self,f his own experience over a period of just about a year. It is in no sense a full account of his life, or a measured reflection upon an eventful past, since its main objective is to bring out a number of key points of Protestant belief, and it is focused upon the risks and exigencies of the present.

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Songs, Sonnets and Autobiography: Self-representation in Sixteenth-century Verse Miscellanies,e sense of a distinctive personality) and ‘individuality’ do not begin to be used until the seventeenth century, while ‘a(chǎn)utobiography’ and ‘individualism’ are nineteenth-century coinages.. As the introduction to this volume points out, we can no longer accept Burckhardt’s famous pronouncement that m

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,‘So Much Worth’: Autobiographical Narratives in the Work of Lady Mary Wroth,r more specifically. Lady Anne Clifford’s account of her activities in August 1617. In common with other English noblewomen of the early modern period, Clifford paid visits to and was visited by other women of her social group, and during the summer of 1617 she made several calls at Penshurst Place,

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,‘Child of Time’: Bacon’s Uses of Self-representation,ies’ (the term with which the period viewed these phenomena) that had marked the English Renaissance from the time of Henry VIII — ‘recoveries’ that were, in point of fact, more often breaks with the past. What is strange is that, in the text of this ostensibly philosophical instauration. Bacon inje