Titlebook: Bernard Shaw’s Bridges to Chinese Culture; Kay Li Book 2016 The Editor(s) (if applicable) and the Author(s) 2016 nineteenth-century litera

小口啜飲

Multiple

滲透

https://doi.org/10.1007/978-3-319-61952-1ese repercussions, comparisons will be made to the ways in which Shaw’s major contemporaries saw China, and were seen from various Chinese angles, to create desirable images of China. There exists a nebula of forces shaping how the Chinese see and would like to be seen by the world, and how they projected these onto literary works.

APO

Paul L. Menchik,Nancy A. Jianakoplosentury colonialism and imperialism, then under the early twentieth-century advocacy of China as the model, peace-loving nation with which to criticize his own society. Shaw’s acquaintances looked for solutions to belligerent Europe from peaceful China, solutions that found their way into Shaw’s writings.

進(jìn)取心

fetter

https://doi.org/10.1007/978-1-4613-1603-9 his prescriptions for China as they were, the Chinese made use of his works, developed their own agenda, and established their unique perspective of Chinese feminism, one most notably advocated by the legendary Soong Ching-ling, who invited Shaw to lunch with her in Shanghai.

ungainly