Titlebook: Becoming the Gentleman; British Literature a Jason D. Solinger Book 2012 Jason D. Solinger 2012 English literature.fiction.Jane Austen.Brit

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https://doi.org/10.1057/9780230391840English literature; fiction; Jane Austen; British and Irish Literature

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Global Masculinitieshttp://image.papertrans.cn/b/image/182032.jpg

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2946-3858 ntleman. Supplementing recent work on femininity, Solinger identifies a corpus of texts that address masculinity and challenges the notion of a masculine figure that has been regarded as unchanging.978-1-349-35176-3978-0-230-39184-0Series ISSN 2946-3858 Series E-ISSN 2946-3866

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https://doi.org/10.1007/978-3-319-16622-3 into political prowess? The sacred lineage of the Stuart line is indubitable, and yet it hardly matters; for in a geopolitical world, even a monarch requires an education and some experience. As nimble as it is celebratory, Dryden’s verse performs a rhetorical sleight of hand that is a recurring co

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https://doi.org/10.1007/978-3-319-16622-3lative for not only Anne’s but also Austen’s mood. “Autumnal” is the word used to describe ., the last novel Austen completed before her death and the work that critics often call her most personal. There is no need to rehearse the reasons why this critical commonplace, linking Anne’s autumn with Au

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Hence and Thence Phenomenology’s Borderlineommunity, untouched by global commerce and imperial violence, today takes the form of Janeite nostalgia, though the novels themselves render it spatially: an ocean separates Mansfield Park from the slave-holding plantation on which it depends. In ., Scott looks sixty years back to a time when blood