Titlebook: Becoming the Gentleman; British Literature a Jason D. Solinger Book 2012 Jason D. Solinger 2012 English literature.fiction.Jane Austen.Brit

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Hence and Thence Phenomenology’s Borderlined historical works. Where Austen was sporadically celebrated throughout the nineteenth century for her portraits of individual women in private life, Scott was widely admired for his depictions of exemplary gentlemen immersed in the affairs of the world. Contrasting the two writers, the Victorian cr

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Gentlemen and Their Knowledge of the World, into political prowess? The sacred lineage of the Stuart line is indubitable, and yet it hardly matters; for in a geopolitical world, even a monarch requires an education and some experience. As nimble as it is celebratory, Dryden’s verse performs a rhetorical sleight of hand that is a recurring co

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,The Politics of Alexander Pope’s Urbanity,are both masculine and politically charged—but it also emerges out of a verse tradition that actually conflates the poetic treatise and the gentleman’s handbook. I will say more on this tradition, shortly. For now, I wish to suggest that it might be useful to consider neoclassical poetry alongside m

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,Austen’s Fiction in the Age of Commerce,lative for not only Anne’s but also Austen’s mood. “Autumnal” is the word used to describe ., the last novel Austen completed before her death and the work that critics often call her most personal. There is no need to rehearse the reasons why this critical commonplace, linking Anne’s autumn with Au

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