Titlebook: Beauty, Ugliness and the Free Play of Imagination; An Approach to Kant‘ Mojca Küplen Book 2015 Springer International Publishing Switzerlan

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Introduction,how named Kramer. The couple is arguing about the aesthetic value of the art work. The woman is pleased by the painting, finds it beautiful, and expressive of spiritual ideas, whereas the man finds it displeasing, dreadful, and ugly. Surprisingly, however, they are both moved by the painting, admire it and cannot look away from it.

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https://doi.org/10.1007/978-3-030-17809-3atisfaction without any interest” (KU 5:211, p. 96). On the face of it, Kant’s definition of taste includes both; positive and negative judgments of taste. Moreover, Kant’s term ‘dissatisfaction’ implies not only that negative judgments of taste are those of the non-beautiful (lack of pleasure), but

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https://doi.org/10.1007/978-3-030-17809-3at none of the proposed solutions were successful, mainly due to Kant’s unsatisfactory formulation of the concept of free harmony constitutive of judgments of taste (of the beautiful). Given this, a positive explanation of ugliness and of the notion of . cannot proceed without first settling on a pr

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Trafficking in Persons in Tanzaniain Lorand, . 52(4): 399–406, 1994). This turns out to be particularly true for beauty and its opposite aesthetic concept, ugliness, in Kantian aesthetics. Since Kant’s explanation of judgments of taste is based exclusively on the notion of free harmony, constitutive of judgments of the beautiful alo

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