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Titlebook: Beauty and the Brain; Biological Aspects o Ingo Rentschler,Barbara Herzberger,David Epstein Book 1988 Springer Basel AG 1988 aesthetics.bio

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發(fā)表于 2025-3-23 13:21:45 | 只看該作者
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發(fā)表于 2025-3-23 14:08:12 | 只看該作者
Tempo Relations in Music: A Universal?ic, affecting everything that will occur in the performance of a work. Curiously, for a musical factor so far-reaching in its scope, tempo is also a factor with the largest degree of variability in music. By contrast, for example, we can “bend” the pitches of a piece only minimally in the interests
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發(fā)表于 2025-3-23 18:51:17 | 只看該作者
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發(fā)表于 2025-3-24 01:29:06 | 只看該作者
The Aesthetic Significance of Display Some Examples from Papua New Guinead there be a link between these apparently disparate spheres? The reason is quite straightforward: part of the process whereby organisms adapt and survive is by display, and it is in display that we find the initial lineaments of aesthetic construction and response. Materials from two societies of t
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發(fā)表于 2025-3-24 05:48:49 | 只看該作者
Aesthetics and Cuisine: Mind over Mattern to serving to consumption. As with all other cultural systems, cuisine has become elaborated and individualized into a myriad of different forms, each unique but sharing at the same time certain universal characteristics.
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發(fā)表于 2025-3-24 06:47:39 | 只看該作者
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發(fā)表于 2025-3-24 15:54:32 | 只看該作者
Tempo Relations in Music: A Universal?of intonation. The margin is small between “coloring” a note in this way and rendering it simply “out of tune.” Likewise, we can bend the rhythms of a phrase only slightly for purposes of expressive nuance. Beyond a certain point, these changes distort the rhythmic shape inherent in the phrase. Again, the margin of variability is small.
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