Titlebook: Balzac, Literary Sociologist; Allan H. Pasco Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Balzac.La Comédie humaine.Lite

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https://doi.org/10.1007/978-3-642-92486-6hority. Revolutionary dechristianization had infuriated many of the faithful, though Balzac understood that the Church’s real problems came from a competing religion that was strengthening, that of Mammon, the god of material wealth. We watch as Monsieur Grandet becomes enormously rich and increasin

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https://doi.org/10.1007/978-3-642-91251-1im and thus loses the meager but tangible joys of his self-centered life. While burlesque always serves to ridicule, Balzac’s creation also envisages the French church after the Revolution. Denuded of property, its former power has largely dissipated, leaving degraded ecclesiastical functionaries th

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https://doi.org/10.1007/978-3-642-91251-1, where virtue is unimportant, where only money matters. The unrolling narration exposes the dire results of generations of war that left fatherless young men who lack respect for truth, family, and law. The plot does not follow a character, as is traditional, but rather it focuses on the Rouget inh