Titlebook: Balzac, Literary Sociologist; Allan H. Pasco Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Balzac.La Comédie humaine.Lite

corrode

書目名稱Balzac, Literary Sociologist影響因子(影響力)




書目名稱Balzac, Literary Sociologist影響因子(影響力)學(xué)科排名




書目名稱Balzac, Literary Sociologist網(wǎng)絡(luò)公開度




書目名稱Balzac, Literary Sociologist網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Balzac, Literary Sociologist被引頻次




書目名稱Balzac, Literary Sociologist被引頻次學(xué)科排名




書目名稱Balzac, Literary Sociologist年度引用




書目名稱Balzac, Literary Sociologist年度引用學(xué)科排名




書目名稱Balzac, Literary Sociologist讀者反饋




書目名稱Balzac, Literary Sociologist讀者反饋學(xué)科排名

漂泊

Through the Glass Darkly: ,,ssfully attempts to protect his self-centered, indigenous world from the fast-moving society of his day. He represents the provinces that are different in form and substance from Paris. Despite the attempt to repulse outsiders, readers are now invited to watch the osmotic influences of Paris spread

Terminal

,A “Divine” Comedy: ,,hority. Revolutionary dechristianization had infuriated many of the faithful, though Balzac understood that the Church’s real problems came from a competing religion that was strengthening, that of Mammon, the god of material wealth. We watch as Monsieur Grandet becomes enormously rich and increasin

離開可分裂

The Gerontocracy and Youth: ,,he abuse of the nation’s young by the elderly. Youth was everywhere frustrated, for avenues to positions where they might work the changes desperately needed by society had been closed. Pierrette was invited to join her aunt and uncle in the hope of receiving an inheritance. Instead, she is beaten,

puzzle

The Tangible and the Intangible: ,,im and thus loses the meager but tangible joys of his self-centered life. While burlesque always serves to ridicule, Balzac’s creation also envisages the French church after the Revolution. Denuded of property, its former power has largely dissipated, leaving degraded ecclesiastical functionaries th

使增至最大

我不重要

Excise

領(lǐng)巾

Empty Wombs: ,,tumbles of phantom-like aristocrats, and the crass cruelty of the commercially driven bourgeois. Balzac wanted to show the suicidal despair of youth squandered by the gerontocracy, a society ruled by monstrously self-indulgent aristocrats and self-centered, greedy, middle-class leftovers from the Re

Mumble

Restoration Boneyard: ,,e old-line aristocracy buried in the provinces that has become inconsequential. As the aristocracy’s vacuity is revealed to Emile through the windows of the d’Esgrignon house, so the corruption of Restoration justice is illuminated behind the glass of Judge Blondet’s greenhouse. Nobility retains not