Titlebook: Badiou and American Modernist Poetics; Cameron MacKenzie Book 2018 The Editor(s) (if applicable) and The Author(s), under exclusive licens

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Cupping

,Dezentralit?t und Selbstorganisation,m “mastery” in relation to the void. Concretizing Badiou’s notions as presented in “A Poetic Dialectic,” Eliot’s classic essay demonstrates the principles at play in Badiou’s thought, positing and dialectically emptying the notion of the masterful critic. In doing so, Eliot exposes the void of criti

MAOIS

Oliver Razum,Jeffrey Butler,Jacob Spallek affect a leap forward in his thinking. Emphasizing an obscure artistic practice referred to throughout that essay as “drawing,” Badiou uses a series of dialectics to push away from traditionally metaphysical aesthetics, seeking to collapse the void into an ineffable act. Identifying the similaritie

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Migration und Migrationspolitik in Europa Chinese Written Character as a Medium for Poetry” to posit a radical interpretation of the word as a drawing with their conception of the ideogram. And yet the implications of such a graphic language work to collapse the metaphysics that would require a void in the first place. In effect realizing

災(zāi)難

打谷工具

https://doi.org/10.1007/978-3-319-95028-0T; S; Eliot; Ezra Pound; Wallace Stevens; American Modernism; Modernist poetry; Alain Badiou; inaesthetics;

CANON

QUAIL

Mutter

Detain

Contaminated Intentions: Tradition and the Individual Talent,m “mastery” in relation to the void. Concretizing Badiou’s notions as presented in “A Poetic Dialectic,” Eliot’s classic essay demonstrates the principles at play in Badiou’s thought, positing and dialectically emptying the notion of the masterful critic. In doing so, Eliot exposes the void of criti