Titlebook: Badiou and American Modernist Poetics; Cameron MacKenzie Book 2018 The Editor(s) (if applicable) and The Author(s), under exclusive licens

Enlightening

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Mnemonics

2946-4072 psychoanalysis, and philosophy.Advances scholarship on poet.Badiou and American Modernist Poetics .explores the correspondence between Alain Badiou‘s thinking on art and that of the canonical modernists T.S. Eliot, Wallace Stevens, and Ezra Pound. Utilizing a multidisciplinary approach, the text en

correspondent

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Badiou, Stevens, Drawing,of dialectics to push away from traditionally metaphysical aesthetics, seeking to collapse the void into an ineffable act. Identifying the similarities Badiou identifies between “drawing” and Chinese brushwork, MacKenzie suggests that the new direction Badiou seeks for his thought is one that has already been explored by Ezra Pound.

Engaging

A Poetic Dialectic: The Place Is Void, void of contingency that undermines truth and annihilates determinate place. In order to escape a resultant nihilism, Badiou suggests that the void itself be taken as truth, and folded back into thought as the place upon which all action may occur.

四牛在彎曲

Contaminated Intentions: Tradition and the Individual Talent,cal discourse, and then incorporates that void back into the discourse itself in order to sustain and further it. “Tradition and the Individual Talent” not only predicts Badiou, but offers a daring example of the key tenets that occupy his thought.

Asperity

The Natural Void,Badiou’s obscure proscription of a description-without-place, the ideogram is a fantastical hallucination that takes Badiou’s thought past the breaking point, weaving art and language into a living figure that comes into being through the act of its own inscription.

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