Titlebook: Australian Film Festivals; Audience, Place, and Kirsten Stevens Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 film festiva

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The Editor(s) (if applicable) and The Author(s) 2016

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https://doi.org/10.1007/978-3-531-93132-6in film festivals had on broader issues of film exhibition. An exponential increase in festival activities through the 1980s coincided with declines in other non-commercial film culture activities, including film societies and various other film culture activities supported by national and state-bas

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https://doi.org/10.1007/978-3-531-93132-6rketing strategies place on the role of taste within film festival programmes. Drawing on the imagery and lexicon of festival promotional material, the chapter interrogates the construction of festivals as ‘good taste’ and ‘cultured’ events. It considers the value attached to festival screenings and

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Kirsten StevensExamines the Australian response to and engagement with film festivals beyond models set by Europe and North America.Traces the history, proliferation, and current practice of film festivals in Austra