Titlebook: Australian Film Festivals; Audience, Place, and Kirsten Stevens Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 film festiva

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書目名稱Australian Film Festivals影響因子(影響力)




書目名稱Australian Film Festivals影響因子(影響力)學(xué)科排名




書目名稱Australian Film Festivals網(wǎng)絡(luò)公開度




書目名稱Australian Film Festivals網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Australian Film Festivals被引頻次




書目名稱Australian Film Festivals被引頻次學(xué)科排名




書目名稱Australian Film Festivals年度引用




書目名稱Australian Film Festivals年度引用學(xué)科排名




書目名稱Australian Film Festivals讀者反饋




書目名稱Australian Film Festivals讀者反饋學(xué)科排名

溺愛

,Enthusiastic Amateurs: Origins of Australia’s Film Festival Movement,Sydney (SFF) film festivals. Emerging in the early years of international film festival development, MIFF and SFF represent distinctly different festival experiences compared with events emerging in Europe contemporaneously. This chapter engages directly with assumptions that the early years of fest

薄荷醇

Growth and Change: Curator-Led Festivals, Fragmenting Audiences, and Shifting Film Exhibition Cultudney, the chapter traces the increasing professionalism of the Australian events and examines their early adoption of festival directors as curators. Continuing the chronology of festival development, the chapter also identifies the emergence of several new film festivals throughout Australia’s majo

新星

Tidious

Between Success and Failure: Crisis and Recovery at the Melbourne International Film Festival,racing MIFF’s decline into bankruptcy and its subsequent recovery through the 1980s, this chapter identifies the competing agendas and stakeholders that operate within the film festival space. Positing that celebrations such as MIFF must negotiate a variety of agendas and positions in order to remai

敬禮

雪上輕舟飛過

防止

Conclusion,pter looks to the accomplishments of . while also looking towards those questions that lie beyond the scope of the book. As an ending, it eulogises the conclusion of certain key elements of Australia’s regional festival experience. Yet in doing so it also points to the continuation of the Australian

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隱藏

https://doi.org/10.1007/978-3-531-93132-6lopment of new festivals through the 1980s and 1990s, this chapter reflects on the effects of globalisation of the regional festival scene and further links developments in Australia to the global proliferation of festivals during this period.