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Titlebook: Audience Engagement in the Performing Arts; A Critical Analysis Ben Walmsley Book 2019 The Editor(s) (if applicable) and The Author(s) 2019

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樓主: Sediment
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發(fā)表于 2025-3-26 23:28:34 | 只看該作者
https://doi.org/10.1007/978-3-030-26653-0Jean-Paul Sartre; arts audiences; audience research; quixotic thinking; death of the audience; prosumers;
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發(fā)表于 2025-3-27 01:08:34 | 只看該作者
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發(fā)表于 2025-3-27 05:32:02 | 只看該作者
Ben WalmsleyExplores the implications of changing audience expectations and evolving practices of engagement.Provides a thorough summary of existing scholarship in the field, drawing out key and emergent themes.D
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發(fā)表于 2025-3-27 11:38:50 | 只看該作者
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發(fā)表于 2025-3-27 15:05:22 | 只看該作者
Audience Engagement in the Performing Arts978-3-030-26653-0Series ISSN 2730-924X Series E-ISSN 2730-9258
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發(fā)表于 2025-3-27 18:07:46 | 只看該作者
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發(fā)表于 2025-3-27 22:57:07 | 只看該作者
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發(fā)表于 2025-3-28 05:54:11 | 只看該作者
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發(fā)表于 2025-3-28 07:02:18 | 只看該作者
,Deconstructing Audiences’ Experiences,e? How important is the live element of audiences’ experiences? What kinds of experiences do audiences have when they engage with the performing arts? Which elements and phenomena characterise and differentiate these experiences from other kinds of experiences? Can audiences’ experiences be truly re
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發(fā)表于 2025-3-28 13:31:24 | 只看該作者
Capturing, Interpreting, and Evaluating Cultural Value,ue that are relevant to the performing arts. It achieves this by interrogating a series of core questions: What do we know about cultural value and what is the purpose of asking questions about it? Who wants to know what about cultural value? Why and how do they want to know? In what sense are exper
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