Titlebook: Audience Engagement in the Performing Arts; A Critical Analysis Ben Walmsley Book 2019 The Editor(s) (if applicable) and The Author(s) 2019

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Dirk Piekenbrock,Michael Olssonion with audiences. In order to illustrate how theories pertaining to digital engagement play out in practice, the chapter presents four case studies: National Theatre of Scotland’s .-., Bristol’s Watershed, Brooklyn Museum, and Yorkshire Dance’s . project.

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Engaging Audiences Through Digital Technologies,ion with audiences. In order to illustrate how theories pertaining to digital engagement play out in practice, the chapter presents four case studies: National Theatre of Scotland’s .-., Bristol’s Watershed, Brooklyn Museum, and Yorkshire Dance’s . project.

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Conclusions and Implications, case for audience-centric organisations fuelled by mutually beneficial relationships of artistic exchange. Finally, the chapter offers some overall conclusions and speculates about the likely direction of future research in the field.

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