Titlebook: Asian Children’s Literature and Film in a Global Age; Local, National, and Bernard Wilson,Sharmani Patricia Gabriel Book 2020 The Editor(s)

Dorsal-Kyphosis

probate

闡明

Parents and Parent–Child Relationships in Contemporary Chinese Children’s Literature (1978–2014)nce to parental authority. In the last four decades, however, there has been a shift away from enforcing this blind obedience. This essay investigates the portrayals of parents and parent–child relationships in contemporary Chinese children’s literature (1978–2014), which have become more diversifie

Indent

S, I, F,: Social Exclusion and Social Dystopia in South Korean Filmssocially excluded or abandoned when their birth family disintegrates or is refashioned to their disadvantage after the loss of a parent. Such children may find they have no place either in family or society and are thus ostracised, maltreated or generally impoverished materially and emotionally. Fil

異端邪說下

Family Diversity in Recent Japanese Children’s Literature situation. Issues such as single-parent families, step-parents and siblings, child abuse and poverty are now being covered in children’s books. Among these works, Iwase Joko’s . which addresses the topic of child abuse, is an outstanding example. In this article, I focus particularly on this book—s

Medley

孤僻

watertight,

Engendering Identities: Gay and Lesbian Characters in Contemporary Indian English Young Adult Fictiotendency to conceive of “Indian culture” as a monolithic entity and ascribe to it certain (hetero)normative ideals against which individuals in society are judged. This chapter focuses on the representation of gay and lesbian characters in contemporary young adult fiction by Indian writers in Englis

COMMA

The Demon as “Other” in Sri Lankan Children’s Literature: Rambukwella’s , and olonged ethnic conflict in Sri Lanka and published immediately after the war ended in 2009. The second was written and published during the post-war reconciliation phase. Both novels inscribe a “transformative agenda” of unveiling the fear of the “other” which is overcome by the child hero, and Ramb

整潔漂亮