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Titlebook: Asian Children’s Literature and Film in a Global Age; Local, National, and Bernard Wilson,Sharmani Patricia Gabriel Book 2020 The Editor(s)

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發(fā)表于 2025-3-21 20:01:14 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Asian Children’s Literature and Film in a Global Age
期刊簡(jiǎn)稱Local, National, and
影響因子2023Bernard Wilson,Sharmani Patricia Gabriel
視頻videohttp://file.papertrans.cn/163/162966/162966.mp4
發(fā)行地址Examines children’s literature beyond traditional Occidental hegemonic perspectives.Focuses on the relationship between the written text, film, and animation in children’s stories.Explores key themes
學(xué)科分類Asia-Pacific and Literature in English
圖書封面Titlebook: Asian Children’s Literature and Film in a Global Age; Local, National, and Bernard Wilson,Sharmani Patricia Gabriel Book 2020 The Editor(s)
影響因子.This volume provides a key analysis of Asian children’s literature and film and creates a dialogue between East and West and between the cultures from which they emerge, within the complex symbiosis of their local, national and transnational frameworks. In terms of location and content the book embraces a broad scope, including contributions related to the Asian-American diaspora, China, India, Indonesia, Iran, Japan, Malaysia, the Philippines, South Korea, Sri Lanka, and Taiwan. Individually and collectively, these essays broach crucial questions: What elements of Asian literature and film make them distinctive, both within their own specific culture and within the broader Asian area? What aspects link them to these genres in other parts of the world? How have they represented and shaped the societies and cultures they inhabit? What moral codes do they address, underpin, or contest? The volume provides further voice to the increasingly diverse and fascinating output of the region and emphasises the importance of Asian art forms as depictions of specific cultures but also of their connection to broader themes in children’s texts, and scholarship within this field..
Pindex Book 2020
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沙發(fā)
發(fā)表于 2025-3-21 20:32:41 | 只看該作者
Asia-Pacific and Literature in Englishhttp://image.papertrans.cn/b/image/162966.jpg
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發(fā)表于 2025-3-22 01:36:44 | 只看該作者
https://doi.org/10.1007/978-981-15-2631-2Children’s Literature and non Western Representations; Asian Studies and Children‘s Literature and Ar
地板
發(fā)表于 2025-3-22 05:02:04 | 只看該作者
978-981-15-2633-6The Editor(s) (if applicable) and The Author(s) 2020
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發(fā)表于 2025-3-22 12:31:16 | 只看該作者
Chemische und tribologische Eigenschaftenth within and beyond Asia, discusses the increasing primacy of children’s literature in Asian contexts, unpacks conceptions and misconceptions regarding Asia and outlines the specific goals of the book in relation to Asian children’s literature and film. It introduces summaries of the main considera
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發(fā)表于 2025-3-22 15:18:26 | 只看該作者
Fragen und Antworten zu Werkstoffees, . (The Adventures of Ahei), . (A Rainy Day), and . (The Steaming Ingots). The three texts are employed to examine the discourse of “child heart” and to see how such a discourse may work to shape and (re)negotiate childhood imaginations in literary creations for the young. Arguably, the textual p
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發(fā)表于 2025-3-22 17:10:26 | 只看該作者
https://doi.org/10.1007/978-3-642-53950-3nce to parental authority. In the last four decades, however, there has been a shift away from enforcing this blind obedience. This essay investigates the portrayals of parents and parent–child relationships in contemporary Chinese children’s literature (1978–2014), which have become more diversifie
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發(fā)表于 2025-3-22 21:45:08 | 只看該作者
Aufbau einphasiger fester Stoffesocially excluded or abandoned when their birth family disintegrates or is refashioned to their disadvantage after the loss of a parent. Such children may find they have no place either in family or society and are thus ostracised, maltreated or generally impoverished materially and emotionally. Fil
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Chemische und tribologische Eigenschaftenthin motifs of mutilation and/or muteness. How are these entwined notions of growth and impairment reinterpreted and transformed across time and culture(s)? Through the prism of postcolonial and feminist interpretations of masculine colonisation and the subjugation of the female form, this chapter w
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