Titlebook: ArtsIT, Interactivity and Game Creation; Creative Heritage. N Matthias W?lfel,Johannes Bernhardt,Sonja Thiel Conference proceedings 2022 IC

選民

書目名稱ArtsIT, Interactivity and Game Creation影響因子(影響力)




書目名稱ArtsIT, Interactivity and Game Creation影響因子(影響力)學(xué)科排名




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書目名稱ArtsIT, Interactivity and Game Creation網(wǎng)絡(luò)公開度學(xué)科排名




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書目名稱ArtsIT, Interactivity and Game Creation被引頻次學(xué)科排名




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書目名稱ArtsIT, Interactivity and Game Creation年度引用學(xué)科排名




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書目名稱ArtsIT, Interactivity and Game Creation讀者反饋學(xué)科排名

craven

Tackling Online Hate Speech? as online video games, pervasive games and pedagogical itineraries to counteract online hate speech, through gaming culture and connected social spheres as a motor for the promotion of mediatic literacy and digital citizenship.

保守

Towards Inclusive and Interactive Spaces for Breakdancing. We question how practitioners embody breaking aesthetics in the gestures that emerge from their interaction with the IBMS and how this system might be leveraged to create a welcoming environment for b-girl practitioners, and possibly subvert or transform gender norms from breaking culture that manifest through movement.

RLS898

欲望小妹

險(xiǎn)代理人

Genteel

Finance in Central and Southeastern Europe as online video games, pervasive games and pedagogical itineraries to counteract online hate speech, through gaming culture and connected social spheres as a motor for the promotion of mediatic literacy and digital citizenship.

油氈

Han Yue,Nur Haiza Nordin,Nur Naddia Nordin. We question how practitioners embody breaking aesthetics in the gestures that emerge from their interaction with the IBMS and how this system might be leveraged to create a welcoming environment for b-girl practitioners, and possibly subvert or transform gender norms from breaking culture that manifest through movement.

Rodent

Conference proceedings 2022tsIT 2021 which was held in December 2021. Due to COVID-19 pandemic the conference was held virtually. The 31 revised full papers presented were carefully selected from 57 submissions. The papers are thematically arranged in the following sections: Media Arts and Virtual Reality; Games; Fusions; Col

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