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Titlebook: Arts, Entrepreneurship, and Innovation; Joanna Woronkowicz Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive lice

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樓主: detumescence
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發(fā)表于 2025-3-23 12:57:21 | 只看該作者
12#
發(fā)表于 2025-3-23 16:12:21 | 只看該作者
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發(fā)表于 2025-3-23 21:03:55 | 只看該作者
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發(fā)表于 2025-3-24 01:50:10 | 只看該作者
15#
發(fā)表于 2025-3-24 04:37:11 | 只看該作者
Films of Arab Loutfi and Heiny Srourtion to other factors like thicker markets, lower transportation costs, and consumptive amenities. Yet thus far little work has analyzed how these different factors drive migration decisions of arts-related entrepreneurs, especially when they work in online platforms for fundraising. We use data on
16#
發(fā)表于 2025-3-24 07:41:11 | 只看該作者
Filmstil, Differenzqualit?ten, Emotionencing and technological connectivity make scope economies especially timely in addressing structural challenges to artist-led incubators. This paper offers a conceptual framework for cooperative strategies that employ economies of scope both in the economic sense of joint production and in the financ
17#
發(fā)表于 2025-3-24 12:34:53 | 只看該作者
18#
發(fā)表于 2025-3-24 16:14:03 | 只看該作者
Stilistik audiovisueller Medien,be very important. We argue that most relations museums establish with CCI firms and institutions are unlikely to produce strong positive externalities that make the latter more innovative. To prove this claim, we propose a conceptual framework qualifying project based and supply chain relations bet
19#
發(fā)表于 2025-3-24 19:54:43 | 只看該作者
Stilistik audiovisueller Medien,riate investment, rather than primarily a non-market subsidized sector. However, national innovation policy is still predominantly focused on STEM (science, technology, engineering and mathematics) skillsets and related product markets. This paper analyses how the CCIs in the Cape Town cluster innov
20#
發(fā)表于 2025-3-25 00:58:59 | 只看該作者
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