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Titlebook: Arts, Entrepreneurship, and Innovation; Joanna Woronkowicz Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive lice

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發(fā)表于 2025-3-21 16:41:07 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Arts, Entrepreneurship, and Innovation
影響因子2023Joanna Woronkowicz
視頻videohttp://file.papertrans.cn/163/162778/162778.mp4
發(fā)行地址Investigates crossovers between arts, entrepreneurship and innovation.Uses the lens of cultural economics.Contributes to theories of value creation in the cultural and creative industries
圖書封面Titlebook: Arts, Entrepreneurship, and Innovation;  Joanna Woronkowicz Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive lice
影響因子.This book is the third publication out of the Arts, Entrepreneurship, and Innovation (AEI) Lab that focuses exclusively on research that empirically investigates crossovers between arts, entrepreneurship and innovation. This volume does so specifically by using the lens of cultural economics. The chapters in this volume have been chosen not only because they have clear implications for policy and practice, but also because they contribute to theories of value creation in the cultural and creative industries. As a whole, this book addresses relationships between arts, entrepreneurship and innovation for workers, firms, and industry to bring clarity to how value is created in the arts.? ..Previously published in Journal of Cultural Economics Volume 45, issue 4, December 2021.Chapters “Direct Memberships in Foreign Copyright Collecting Societies as an Entrepreneurial Opportunity for Music Publishers – Needs, Challenges, Opportunities and Solutions” and “Do MuseumsFoster Innovation Through Engagement with the Cultural and Creative Industries?” are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com..
Pindex Book 2022
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發(fā)表于 2025-3-21 21:17:29 | 只看該作者
Who is an Artist? Heterogeneity and Professionalism Among Visual Artists,rts as a profession and thereby to make a distinction between professional artists and amateurs. Artists’ income and working conditions have been the subject of several studies, and many different sampling criteria have been used. Scholars have not yet achieved consensus on who should be included in
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Flocking to the Crowd: Cultural Entrepreneur Mobility Guided by Homophily, Market Size, or Amenitietion to other factors like thicker markets, lower transportation costs, and consumptive amenities. Yet thus far little work has analyzed how these different factors drive migration decisions of arts-related entrepreneurs, especially when they work in online platforms for fundraising. We use data on
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,Economies of Scope in Artists’ Incubator Projects,cing and technological connectivity make scope economies especially timely in addressing structural challenges to artist-led incubators. This paper offers a conceptual framework for cooperative strategies that employ economies of scope both in the economic sense of joint production and in the financ
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https://doi.org/10.1007/978-3-031-18195-5arts and entrepreneurship; arts and innovation; the creative sector; value in the arts; business ethics;
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978-3-031-18197-9The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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