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Titlebook: Artistic Research in Performance through Collaboration; Martin Blain,Helen Julia Minors Book 2020 The Editor(s) (if applicable) and The Au

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樓主: memoir
31#
發(fā)表于 2025-3-26 23:21:54 | 只看該作者
32#
發(fā)表于 2025-3-27 01:14:27 | 只看該作者
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發(fā)表于 2025-3-27 06:10:05 | 只看該作者
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發(fā)表于 2025-3-27 11:58:08 | 只看該作者
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發(fā)表于 2025-3-27 15:05:09 | 只看該作者
Lecture Notes in Computer Sciencehin both teaching and individual approaches. The chapter discusses how this knowledge applies to wider issues of creativity and the creative industries, where issues about the role of self-determining collectives in relation to problems of economies of production and adaptability into manufacturing models remain.
36#
發(fā)表于 2025-3-27 18:41:32 | 只看該作者
Gunter Haug,Wolfgang Rosenstielions and methods. I show how the collaboration was affected by such tensions and the differing degrees to which it was able to resolve them. I conclude with a discussion of the need for productive tension and the role of collaboration in maintaining the integrity of the practitioner-researcher role and realising its potential in both areas.
37#
發(fā)表于 2025-3-28 01:57:21 | 只看該作者
Milena Císlerová,T. Vogel,J. Simunekted’ and disinterested’ aesthetic judgement, as well as Carroll’s taxonomy for qualifying aesthetic experience. The resulting critique provides significant insights into creative development and collaborative decision-making processes in performance-making projects.
38#
發(fā)表于 2025-3-28 04:42:57 | 只看該作者
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