Titlebook: Artistic Research in Performance through Collaboration; Martin Blain,Helen Julia Minors Book 2020 The Editor(s) (if applicable) and The Au

memoir

書目名稱Artistic Research in Performance through Collaboration影響因子(影響力)




書目名稱Artistic Research in Performance through Collaboration影響因子(影響力)學(xué)科排名




書目名稱Artistic Research in Performance through Collaboration網(wǎng)絡(luò)公開度




書目名稱Artistic Research in Performance through Collaboration網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Artistic Research in Performance through Collaboration被引頻次




書目名稱Artistic Research in Performance through Collaboration被引頻次學(xué)科排名




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書目名稱Artistic Research in Performance through Collaboration年度引用學(xué)科排名




書目名稱Artistic Research in Performance through Collaboration讀者反饋




書目名稱Artistic Research in Performance through Collaboration讀者反饋學(xué)科排名

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The design of a new FPGA architecture,rchers in music performance. I question the usefulness of a one-size-fits-all conceptualisation and definition of research collaboration. Highlighting the knowledge-political issues and power hierarchies that have been pervasive in the context of musicological and music psychological research that i

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hair-bulb

Multithreading for Logic-Centric Systemsdance, the authors compare understandings of collaboration, authorship and ownership between dance and the law (copyright). Collaboration emerges as a key component of contemporary dance but one which is poorly framed in the law. The chapter explores how the artists see themselves as ‘a(chǎn)uthors’ and ‘

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mediocrity

Milena Císlerová,T. Vogel,J. Simuneke course of making the multi/interdisciplinary performance . Focusing on their respective positions as ‘insider’ and ‘outsider’, the authors consider the efficacy of different types of collaborative approaches tried out over the course of the project in relation to what, following Lavender, they def