Titlebook: Art and Politics under Modern Dictatorships; A Comparison of Chil Caterina Preda Book 2017 The Editor(s) (if applicable) and The Author(s)

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Extraterritoriality of EU Economic Law through culture,” or aestheticism; a range of formal innovations that were tolerated because of their ambiguity; accidental forms of subversion, as in body art; a documentation of reality through the inclusion of realist details; conceptualist practices; and different types of disguised forms of critique in theater or literature.

尾巴

生意行為

Book 2017ian dictatorships, it compares the different ways in which political regimes convey their view of the world through artistic means. It examines how artists help convey a new understanding of politics and political action during repressive regimes that are inspired by either communism or anti-commun

Senescent

Consensus

Art Should Be Apolitical: Official Art in Chile, past; the attempt to establish a broad nationalist cultural policy; the privilege granted to high art and private, company art; and a televised model of promoting certain cultural expressions, such as soap operas and a bourgeois version of the folklore. Varied forms of censorship were enforced for literature, music, and film.

Anal-Canal

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Inveterate

Book 2017n one respect, and how art can help better grasp the similarities of these regimes. It reveals how dictatorships use art to symbolically construct their power, which artists can consolidate by lending their support, or deconstruct through different forms of artistic resistance.