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Titlebook: Animal Languages in the Middle Ages; Representations of I Alison Langdon Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Cri

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發(fā)表于 2025-3-21 20:10:00 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Animal Languages in the Middle Ages
期刊簡稱Representations of I
影響因子2023Alison Langdon
視頻videohttp://file.papertrans.cn/158/157600/157600.mp4
發(fā)行地址Challenges rather than reinforces the human-animal divide, setting itself apart from previous full-length studies on this topic.Acknowledges the various modes of meaning through which human and nonhum
學(xué)科分類The New Middle Ages
圖書封面Titlebook: Animal Languages in the Middle Ages; Representations of I Alison Langdon Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Cri
影響因子.The essays in this interdisciplinary volume explore language, broadly construed, as part of the continued interrogation of the boundaries of human and nonhuman animals in the Middle Ages. Uniting a diverse set of emerging and established scholars, .Animal Languages .questions the assumed medieval distinction between humans and other animals. The chapters point to the wealth of? non-human communicative and discursive forms through which animals function both as vehicles for human meaning and as agents of their own, demonstrating the significance of human and non-human interaction in medieval texts, particularly for engaging with the Other. The book ultimately considers the ramifications of deconstructing the medieval anthropocentric view of language for the broader question of human singularity..
Pindex Book 2018
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“As faucon comen out of muwe”: Female Agency and the Language of Falconryteenth-century allegory . and finally to Chaucer’s . Petrosillo argues that the literary history of the mewed falcon trope troubles essentializing claims about women’s “nature” by using the nonhuman communication of birds’ plumage to figure a feminist resistance.
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Bark Like a Man: Performance, Identity, and Boundary in Old English Animal Voice Catalogues Anglo-Saxon England, a culture deeply preoccupied with the playful signification of language. The animal noise of list of Aldhelm (seventh century) provides a link between grammatical and poetic theory and the vivid onomatopoeia of Old English and Latin riddles that gave animal subjects barking, bleating, and shrieking voices of their own.
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“Dites le mei, si ferez bien”: Fallen Language and Animal Communication in ,oxically, the possession of reason, with the concomitant ability to signify, also produces our capacity to deceive and be deceived through language. Bisclavret’s mute canine communicative strategies are revealed as better mediators of truth than human verbal language, calling into question its status as the privileged form of communication.
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Medieval Dog Whisperers: The Poetics of Rehabilitation lore. “Thinking dog” is pivotal to self-formation, effective communication, and the development of empathy in these medieval literary texts. Considered together, the three poems reveal how, within medieval frameworks of identity, encounters with the canine other potentially reform, and reformulate, the human.
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Embodied Emotion as Animal Language in ,ons as a sentient being and primary character that, by teaching Yvain emotional literacy, plays a pivotal role in helping Yvain to gain a deeper sense of compassion for the plight of others, a skill that helps him to become a better knight, husband, and king.
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