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Titlebook: American War Cinema and Media since Vietnam; Politics, Ideology, Patricia Keeton,Peter Scheckner Book 2013 Patricia Keeton and Peter Schec

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31#
發(fā)表于 2025-3-27 00:41:01 | 只看該作者
Class and PoliticsKathyrn Bigelow’s . is so technologically sophisticated that the spectator sees everything through the green night vision goggles of SEAL Team 6 and so, in effect, the audience becomes the shooter, a war movie as FPS war video.
32#
發(fā)表于 2025-3-27 02:37:22 | 只看該作者
Die Eintragungen in das Grundbuch,imately its influence on mainstream media’s portrayal of the military in feature films, on television and, more recently, in spectacularly profitable war video games. These games are now more profitable than feature war movies, and because they routinely brand handguns and other militarized weapons,
33#
發(fā)表于 2025-3-27 05:44:18 | 只看該作者
,Die Verfassung der Grundbuch?mter,n of cinema, this discord found its expression in other forms of art and culture—including the very beginning of our literature. About 27 hundred years ago at the end of Bronze Age, the ., the earliest work in Western literature, portrays a nasty quarrel between an ordinary Greek soldier and his com
34#
發(fā)表于 2025-3-27 10:28:32 | 只看該作者
Die Verfassung der Grundbuch?mtero defend American shores but to extend American economic and political power. With the defeat of the Soviet bloc and the triumph of global capitalism, the emergence of the United States as the world’s sole military superpower enabled this country to fill an apparent power vacuum in the resource-rich
35#
發(fā)表于 2025-3-27 17:25:22 | 只看該作者
36#
發(fā)表于 2025-3-27 18:45:50 | 只看該作者
,Die Aufwertung der Grundstückspfandrechte,g the United States internationally as a victim rather than as an aggressor. The Bush administration used the 9/11 attacks to initiate the war on terrorism, citing a worldwide threat by terrorists and rogue nations to justify massive military action, first against Afghanistan and then Iraq as necess
37#
發(fā)表于 2025-3-27 22:40:07 | 只看該作者
38#
發(fā)表于 2025-3-28 03:18:48 | 只看該作者
https://doi.org/10.1007/978-3-662-26227-6ers—and that to do so, soldiers inevitably seek ways to give meaning to their experiences in combat: the myth of the good war in World War II or fighting for one’s buddies in the discretionary wars of today. In the arena of combat, Hedges notes, “War exposes the capacity for evil that lurks not far
39#
發(fā)表于 2025-3-28 08:28:55 | 只看該作者
40#
發(fā)表于 2025-3-28 13:53:46 | 只看該作者
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