Titlebook: American War Cinema and Media since Vietnam; Politics, Ideology, Patricia Keeton,Peter Scheckner Book 2013 Patricia Keeton and Peter Schec

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低能兒

迷住

懶惰民族

Culture Wars and Warnish class matters in the war film in the post-Vietnam War era up to the present. During the 1960s and early 1970s, the question of who was being sent to war, who was paying the price for war, and who was benefitting from war was publicly debated within American society as a whole and within indepen

aspersion

indemnify

Class and Politics paean both to the pitiless as well as to the grandeur and insatiable excitement of war. Most of the poem’s 16,000-plus lines describe with awe the intensity, vitality, and exultance of hand-to-hand combat, all but drowning out Thersites’s dark accusations made early in the work, and this has always

違反

Ideological Negotiation in the Combat War Filmers—and that to do so, soldiers inevitably seek ways to give meaning to their experiences in combat: the myth of the good war in World War II or fighting for one’s buddies in the discretionary wars of today. In the arena of combat, Hedges notes, “War exposes the capacity for evil that lurks not far

ELUDE

The Returning Veteran and the Home Front Melodramathin three years two notable films were released (both in 1978) about the returning veteran, by now a well-established American cinematic sub-genre: . (Michael Cimino) and . (Hal Ashby). The first was set in a working-class community of Clairton, outside Pittsburgh, about three steelworkers, later i

Little

Where is the Ruling Class?s the strategic goals of this elite group, articulated by men who had sharpened their ideological tools during the Reagan and George H. W. Bush presidencies. In 1997 PNAC, an American think tank based in Washington, DC, chaired by William Kristol, made clear that military invasions would be the new

過于光澤

Alternative Media and Representations of War over resources, territory, and trade. However, research done after World War II by US Army Brigadier General S. L. A. Marshall showed that getting soldiers to shoot and kill their fellow men and women is not as natural as war films and statistics might suggest. Marshall found that for every one hun