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Titlebook: American Crime Fiction; A Cultural History o Peter Swirski Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 American Literatu

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發(fā)表于 2025-3-21 20:05:34 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱American Crime Fiction
期刊簡稱A Cultural History o
影響因子2023Peter Swirski
視頻videohttp://file.papertrans.cn/155/154486/154486.mp4
發(fā)行地址Comprehensively spans the entire twentieth-century, touching upon modernism all the way through contemporary crime writers like Nelson DeMille.Pioneers a larger discussion about the importance of lowb
圖書封面Titlebook: American Crime Fiction; A Cultural History o Peter Swirski Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 American Literatu
影響因子.Peter Swirski looks at American crime fiction as an artform that expresses and reflects the social and aesthetic values of its authors and readers. As such he documents the manifold ways in which such authorship and readership are a matter of informed literary choice and not of cultural brainwashing or declining literary standards. Asking, in effect, a series of questions about the nature of genre fiction as art, successive chapters look at American crime writers whose careers throw light on the hazards and rewards of nobrow traffic between popular forms and highbrow aesthetics: Dashiell Hammett, John Grisham, William Faulkner, Ernest Hemingway, Raymond Chandler, Ed McBain, Nelson DeMille, and F. Scott Fitzgerald..
Pindex Book 2016
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Bestandsaufnahme — das gemeinsame Interesse, McBain’s factographic aesthetic transforms it into the touchstone of the American urban experience. Charting the excesses of life on the twentieth-century metropolitan frontier, his nobrow . are essential reading for anyone wishing to understand the people who live, work, and commit crime in America today.
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Boilerplate Potboilers: William Faulkner and Ernest Hemingway, successful Faulkner looked to go commercial and engage the mass reader, the commercially successful Hemingway looked to go engagé and prove something both to the literary pundits who accused him of anti-intellectualism and to the Marxists who derided him for the cult of the individual in the age of the masses.
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