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Titlebook: American Crime Fiction; A Cultural History o Peter Swirski Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 American Literatu

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樓主: 浮華
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發(fā)表于 2025-3-23 09:49:49 | 只看該作者
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發(fā)表于 2025-3-23 14:27:40 | 只看該作者
Stabilit?t im Familienunternehmengenres and argues that American crime mysteries ought to be approached as artistically ambitious and ideologically complex on their own terms. It argues for the framing of this iconic type of American fiction in the context of the history of the twentieth-century USA.
13#
發(fā)表于 2025-3-23 20:13:48 | 只看該作者
https://doi.org/10.1007/978-3-8349-9096-9Grisham. Hammett’s ur-hardboiled . and Grisham’s legal blockbuster . embody their respective eras, zeitgeists, and schools of writing, exemplifying the apparent differences and the underlying similarities between them.
14#
發(fā)表于 2025-3-23 22:12:21 | 只看該作者
Bestandsaufnahme — das gemeinsame Interesse successful Faulkner looked to go commercial and engage the mass reader, the commercially successful Hemingway looked to go engagé and prove something both to the literary pundits who accused him of anti-intellectualism and to the Marxists who derided him for the cult of the individual in the age of
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發(fā)表于 2025-3-24 03:20:23 | 只看該作者
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發(fā)表于 2025-3-24 06:31:09 | 只看該作者
https://doi.org/10.1007/978-3-319-30108-2American Literature; Crime Fiction; Lowbrow; Nobrow; Twentieth-Century
17#
發(fā)表于 2025-3-24 10:48:12 | 只看該作者
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發(fā)表于 2025-3-24 17:45:21 | 只看該作者
Bestandsaufnahme — das gemeinsame InteresseChapter 4 focuses on Raymond Chandler and his farewell Philip Marlowe novel .. Even as it playfully dishes out familiar genre formulas and multiple playbacks of playbacks of playbacks, it bids an ironic farewell to the entire hardboiled tradition, self-reflexively deconstructing itself and the entire genre.
19#
發(fā)表于 2025-3-24 19:11:34 | 只看該作者
20#
發(fā)表于 2025-3-25 00:21:26 | 只看該作者
The Not So Simple Art of Murder: Raymond Chandler,Chapter 4 focuses on Raymond Chandler and his farewell Philip Marlowe novel .. Even as it playfully dishes out familiar genre formulas and multiple playbacks of playbacks of playbacks, it bids an ironic farewell to the entire hardboiled tradition, self-reflexively deconstructing itself and the entire genre.
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