Titlebook: After Austen; Reinventions, Rewrit Lisa Hopkins Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Influence.Genre.Style.Film.W

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The Trouble with Mary: Curtis Sittenfeld’s , and the Single Womant attitude than anything that was contemplated by Jane Austen’s society. In the twenty-first century, the choices available to women have dramatically expanded and yet it still seems as if the only permissible ending for a fictional work involving a single female character is to marry her off..Curti

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Adapting Austen ‘for the new generation’: ITV’s 2007 Trilogy ,, ,, and in Austen’s novels. Each film strives to create what Penny Gay calls the ‘double effect’ of successful adaptation of remaining broadly faithful to the source text . resonating with the interests of its viewers. The novels and their adaptations are influenced by the varying gender politics of their o

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‘Only Four Months a Widow’: The Story-Telling Wardrobe of Lady Susan in Whit Stillman’s , (2016)t the name ‘Jane Austen’ conveys to a modern audience. The full mourning implied in the source text makes clear Lady Susan’s Machiavellian character and gives real bite to Austen’s satire upon the discrepancy between surface and substance. The softer colours in which Lady Susan is presented in Whit

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Jane Austen, Free Indirect Style, Gender and Interiority in Literary Fictionnse of literariness in prose fiction. More particularly, I argue that Austen’s use of language metarepresents the thoughts of female characters as a dynamic process of understanding themselves and their worlds. This coincides with a more general perception, construction and performance of ‘feminine’

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and Narrative Tensions in Austen’s Biopicsr Austen biopics: . (2007) and . (2008). The wish to celebrate Austen’s historical otherness and difference is shown to be held in an uneasy balance with a desire to investigate the contemporary relevance of her life and work. The film ., I conclude, offers a playful, and kindly, parodic version of

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Literary Heritage Writ Large at the Jane Austen Festival, Bathof visitors from across the world, the annual Jane Austen Festival in Bath, Britain is a prominent example of this popular(ised) form of literary heritage. In this chapter, I analyse key examples of how the festival represents and recreates Austen’s (literary) world by utilising, interweaving and, a