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Titlebook: After Austen; Reinventions, Rewrit Lisa Hopkins Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Influence.Genre.Style.Film.W

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發(fā)表于 2025-3-21 20:07:42 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱(chēng)After Austen
期刊簡(jiǎn)稱(chēng)Reinventions, Rewrit
影響因子2023Lisa Hopkins
視頻videohttp://file.papertrans.cn/151/150913/150913.mp4
發(fā)行地址Demonstrates the extent and variety of Austen‘s cultural influence.Examines a range of texts that Austen has influenced, from 19th century novelists to 20th century television.Sheds new light on Auste
圖書(shū)封面Titlebook: After Austen; Reinventions, Rewrit Lisa Hopkins Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Influence.Genre.Style.Film.W
影響因子This collection of twelve new essays examines some of what Jane Austen has become in the two hundred years since her death.? Some of the chapters explore adaptations or repurposings of her work while others trace her influence on a surprising variety of different kinds of writing, sometimes even when there is no announced or obvious debt to her. ?In so doing they also inevitably shed light on Austen herself. Austen is often considered romantic and not often considered political, but both those perceptions are challenged her, as is the idea that she is primarily a writer for and about women.? Her books are comic and ironic, but they have been reworked and drawn upon in very different genres and styles.? Collectively these essays testify to the extraordinary versatility and resonance of Austen’s books..
Pindex Book 2018
The information of publication is updating

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https://doi.org/10.1007/978-3-030-70906-8ference to what seems to distinguish them: the later novel’s industrial context. In reworking so many of its elements, Gaskell asks us to consider what it takes to imagine . in a factory setting, and therefore reflect upon social changes that have occurred between the times of the two novels. But th
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Crime and Corruption in New Democracies’s novels in contemporary settings by popular novelists does so intriguingly. Launched in 2013 with ., subtitled ., by Joanna Trollope; followed in 2014 by . by Val McDermid; also in 2014 by ., subtitled ., by Alexander McCall Smith; and, most recently, in 2016, by ., subtitled ., with the heading ‘
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https://doi.org/10.1057/9780230316768t attitude than anything that was contemplated by Jane Austen’s society. In the twenty-first century, the choices available to women have dramatically expanded and yet it still seems as if the only permissible ending for a fictional work involving a single female character is to marry her off..Curti
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