Titlebook: After Austen; Reinventions, Rewrit Lisa Hopkins Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Influence.Genre.Style.Film.W

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https://doi.org/10.1007/978-3-030-70906-8ference to what seems to distinguish them: the later novel’s industrial context. In reworking so many of its elements, Gaskell asks us to consider what it takes to imagine . in a factory setting, and therefore reflect upon social changes that have occurred between the times of the two novels. But th

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蒙太奇

Crime and Corruption in New Democracies’s novels in contemporary settings by popular novelists does so intriguingly. Launched in 2013 with ., subtitled ., by Joanna Trollope; followed in 2014 by . by Val McDermid; also in 2014 by ., subtitled ., by Alexander McCall Smith; and, most recently, in 2016, by ., subtitled ., with the heading ‘

冥想后

https://doi.org/10.1057/9780230316768t attitude than anything that was contemplated by Jane Austen’s society. In the twenty-first century, the choices available to women have dramatically expanded and yet it still seems as if the only permissible ending for a fictional work involving a single female character is to marry her off..Curti

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