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Titlebook: Writing Future Worlds; An Anthropologist Ex Ulf Hannerz Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Literary anthropolog

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樓主: Agitated
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發(fā)表于 2025-3-23 13:40:50 | 只看該作者
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發(fā)表于 2025-3-23 15:58:40 | 只看該作者
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發(fā)表于 2025-3-23 20:11:47 | 只看該作者
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發(fā)表于 2025-3-24 02:07:38 | 只看該作者
Chapter 9 Scenarios from Everywhere,orld, and a range of writers based in other continents. Such scenario authors include for example Fareed Zakaria and Amy Chua in the United States, Josef Joffe in Germany, Dominique Moisi and Amin Maalouf in France, Kishore Mahbubani in Singapore, and (in a way) Lev Gumilev in Russia. Pointing to th
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發(fā)表于 2025-3-24 05:20:31 | 只看該作者
Book 2016 War, a diverse range of future concepts has emerged in various areas of academia—and even in popular journalism. A number of these key concepts—‘the end of history,’ ‘the clash of civilizations,’ ‘the coming anarchy,’ ‘the world is flat,’ ‘soft power,’ ‘the post-American century’—suggest what could
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發(fā)表于 2025-3-24 08:03:13 | 只看該作者
2946-4218 ropology, sociology, history, and media studies.Written by aThis volume presents a comprehensive analysis of global future scenarios and their impact on a growing, shared culture. Ever since the end of the Cold War, a diverse range of future concepts has emerged in various areas of academia—and even
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發(fā)表于 2025-3-24 13:58:05 | 只看該作者
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發(fā)表于 2025-3-24 18:11:44 | 只看該作者
Chapter 9 Scenarios from Everywhere,e responses from such commentators, the book sees global scenarios as an arena for world-wide intellectual exchanges. It also places this possibility in the context of the growth of global cultural interactions of other kinds, and the use of English as the dominant world language, and the distribution of translations.
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發(fā)表于 2025-3-24 22:10:14 | 只看該作者
Book 2016 become characteristic of this new, interconnected world. Ulf Hannerz scrutinizes these ideas, considers their legacy, and suggests further dialogue between authors of the ‘American scenario’ and commentators elsewhere. ?.
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發(fā)表于 2025-3-25 02:23:22 | 只看該作者
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