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Titlebook: Widening the Frame with Visual Psychological Anthropology; Perspectives on Trau Robert Lemelson,Annie Tucker Book 2021 The Editor(s) (if ap

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樓主: 厭氧
11#
發(fā)表于 2025-3-23 13:40:25 | 只看該作者
Additional Psychocultural Themeshat support resilience include religious frameworks that make meaning out of suffering and religious practices that (re)connect participants to inclusive social worlds; cultural philosophies of patience, surrender, and bearing burdens for the sake of others; and social and political activism.
12#
發(fā)表于 2025-3-23 16:48:59 | 只看該作者
13#
發(fā)表于 2025-3-23 20:21:53 | 只看該作者
14#
發(fā)表于 2025-3-24 02:03:02 | 只看該作者
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發(fā)表于 2025-3-24 05:31:13 | 只看該作者
16#
發(fā)表于 2025-3-24 09:52:03 | 只看該作者
: Culture, Polygamy, and Gendered Violence in Balihusbands, wives, and children in ways potentially detrimental to women’s physical safety and emotional well-being. Topics covered include gendered norms for courtship, sexual behavior and marriage; cultural frameworks for patrilineal decent (.) and kinship; beliefs about spiritual life, afterlife, fate and karma; and customary and national law.
17#
發(fā)表于 2025-3-24 13:04:34 | 只看該作者
: Stigmatization, Social Violence, and Sex Work in Central Javahter have different perspectives on the conundrums and contradictions they are faced with, including pregnancy out of wedlock, community marriage (.), involuntary sex work, vigilante justice and rape, parental abandonment, and the risk of sex trafficking.
18#
發(fā)表于 2025-3-24 17:45:52 | 只看該作者
19#
發(fā)表于 2025-3-24 18:59:17 | 只看該作者
Visual Psychological Anthropology in the Fielding negative emotions, minimizing conflict, and maintaining harmony layered onto the paradoxes of psychological truth, the vagaries of memory, and the performativity of visual ethnography. Reflexive considerations of anthropologist subjectivity, the impact of the camera, and questions of how to depict the ethnographic encounter are also discussed.
20#
發(fā)表于 2025-3-25 01:13:50 | 只看該作者
Ethical Issues in Visual Psychological Anthropologynography may ultimately require different configurations of consent than writing, due to higher levels of participant exposure and simultaneous greater accessibility. Ultimately, in such collaborations, the challenge is to ensure that film participants, as stakeholders, assert their agency throughout the filmmaking process.
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