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Titlebook: Widening the Frame with Visual Psychological Anthropology; Perspectives on Trau Robert Lemelson,Annie Tucker Book 2021 The Editor(s) (if ap

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發(fā)表于 2025-3-21 17:11:37 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Widening the Frame with Visual Psychological Anthropology
副標(biāo)題Perspectives on Trau
編輯Robert Lemelson,Annie Tucker
視頻videohttp://file.papertrans.cn/1029/1028233/1028233.mp4
概述Provides a critical reflection on and companion to three contemporary ethnographic films, written by the filmmakers.Examines both the films and the processes of their production, integrating theoretic
叢書(shū)名稱(chēng)Culture, Mind, and Society
圖書(shū)封面Titlebook: Widening the Frame with Visual Psychological Anthropology; Perspectives on Trau Robert Lemelson,Annie Tucker Book 2021 The Editor(s) (if ap
描述.This book uses visual psychological anthropology to explore trauma, gendered violence, and stigma through a discussion of three ethnographic films set in Indonesia:?.40 Years of Silence?.(Lemelson 2009),?.Bitter Honey?.(Lemelson 2015), and?.Standing on the Edge.?.of a.?.Thorn?.(Lemelson 2012). This exploration “widens the frame” in two senses. First, it offers an integrative analysis that connects the discrete topics and theoretical concerns of each film to crosscutting themes in Indonesian history, society, and culture. Additionally, it sheds light on all that falls outside the literal frame of the screen, including the films’ origins; psychocultural and interpersonal dynamics and constraints of deep, ongoing collaborations in the field; narrative and emotional orientations toward editing; participants’ relationship to their screened image; the life of the films after release; and the ethics of each stage of filmmaking. In doing so, the authors widen the frame for psychological anthropology as well, advocating for film as a crucial point of engagement for academic audiences and for translational purposes..Rich with critical insights and reflections on ethnographic filmmaking, thi
出版日期Book 2021
關(guān)鍵詞Psychological Anthropology; Visual Anthropology; Visual Ethnography; Trauma; Domestic Violence; Indonesia
版次1
doihttps://doi.org/10.1007/978-3-030-79883-3
isbn_softcover978-3-030-79885-7
isbn_ebook978-3-030-79883-3Series ISSN 2637-6806 Series E-ISSN 2634-517X
issn_series 2637-6806
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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發(fā)表于 2025-3-21 20:23:22 | 只看該作者
: Generational Effects of Political Violence and Childhood Trauma in Indonesiags and anti-communist purge of 1965 during the transition to Suharto’s New Order rule. The lived experiences of four individuals from Java and Bali, with different caste, gender and ethnic identities and religious affiliations are recounted using the person-centered approach of visual psychological
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Trauma, Gendered Violence, and Stigmatization: Tracing Themes Throughout the Three Filmsonesian history, politics, and culture. The experience and embodiment of traumatic political events, such as the anti-communist purge of 1965, have been significantly shaped by gender. Meanwhile, ongoing experiences of gendered violence and stigmatization in Indonesia continue to interact in complex
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發(fā)表于 2025-3-22 16:03:11 | 只看該作者
Additional Psychocultural Themesses exhibit shared psychocultural themes. Reactions of shame (.) and anger (.) are internally felt, behaviorally enacted, inflected by Indonesian, Javanese, and/or Balinese cultural schemas and affective practices, and deeply gendered in ways that compound fear and stigma. Orientations and actions t
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發(fā)表于 2025-3-22 17:40:16 | 只看該作者
Visual Psychological Anthropology in the Fieldropology (VPA) methodology. Culture plays an essential role in the process; specifically, the chapter illustrates how filmmaking praxis interacts with Javanese and Balinese psychocultural habitus of personal disclosure, presentation of self, and social interaction, particularly when addressing painf
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發(fā)表于 2025-3-23 06:56:56 | 只看該作者
Book 2021t in Indonesia:?.40 Years of Silence?.(Lemelson 2009),?.Bitter Honey?.(Lemelson 2015), and?.Standing on the Edge.?.of a.?.Thorn?.(Lemelson 2012). This exploration “widens the frame” in two senses. First, it offers an integrative analysis that connects the discrete topics and theoretical concerns of
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