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Titlebook: (Counter-)Archive: Memorial Practices of the Soviet Underground; Klavdia Smola,Ilya Kukulin,Annelie Bachmaier Book 2024 The Editor(s) (if

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發(fā)表于 2025-3-21 17:32:24 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱(Counter-)Archive: Memorial Practices of the Soviet Underground
影響因子2023Klavdia Smola,Ilya Kukulin,Annelie Bachmaier
視頻videohttp://file.papertrans.cn/103/102801/102801.mp4
發(fā)行地址Focuses on the archive as a form of art employed by various groups of the late Soviet underground.Aims to approach old archival materials related to the Soviet cultural underground on a meta-level of
學科分類Palgrave Macmillan Memory Studies
圖書封面Titlebook: (Counter-)Archive: Memorial Practices of the Soviet Underground;  Klavdia Smola,Ilya Kukulin,Annelie Bachmaier Book 2024 The Editor(s) (if
影響因子.This book is the first major study exploring archival and memorial practices of the Soviet unofficial culture. The creation of counter-archives was one of the most important forms of cultural resistance in the Soviet Union. Unofficial artists and poets had to reinvent the possibilities of maintaining art and literature that “did not exist”. Against the background of archival theories and memory studies, the volume explores how the culture of the Soviet underground has become one of the most striking cases of scholarly and artistic (self-)archiving, which – although being half-isolated from the outer world – reflected intellectual and artistic trends characteristic of its time. The guiding question of the volume is how Soviet unofficial culture (de)constructed social memory by collecting, archiving and memorizing tabooed culture of the past and present..
Pindex Book 2024
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沙發(fā)
發(fā)表于 2025-3-21 21:23:04 | 只看該作者
板凳
發(fā)表于 2025-3-22 01:19:40 | 只看該作者
地板
發(fā)表于 2025-3-22 06:37:15 | 只看該作者
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發(fā)表于 2025-3-22 12:29:49 | 只看該作者
https://doi.org/10.1007/978-3-031-56521-2sion. They are called ‘cultural treasures’. […] They owe their existence not only to the efforts of the great geniuses who created them, but also to the anonymous toil of others who lived in the same period.
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發(fā)表于 2025-3-22 14:45:12 | 只看該作者
Book 2024ne of the most important forms of cultural resistance in the Soviet Union. Unofficial artists and poets had to reinvent the possibilities of maintaining art and literature that “did not exist”. Against the background of archival theories and memory studies, the volume explores how the culture of the
7#
發(fā)表于 2025-3-22 19:45:02 | 只看該作者
Book 2024e outer world – reflected intellectual and artistic trends characteristic of its time. The guiding question of the volume is how Soviet unofficial culture (de)constructed social memory by collecting, archiving and memorizing tabooed culture of the past and present..
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發(fā)表于 2025-3-22 22:05:20 | 只看該作者
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發(fā)表于 2025-3-23 04:07:38 | 只看該作者
L. S. Arendarenko,R. Oinarov,L.-E. Perssons raise a question about the correlation between today’s memory culture and the archive: the archive as an isolated space of accumulated knowledge is studied in the context of—and, in a certain sense, in epistemological contradiction to—the communicative memory of “l(fā)ive” transmission of knowledge.
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發(fā)表于 2025-3-23 07:31:23 | 只看該作者
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