Titlebook: (Counter-)Archive: Memorial Practices of the Soviet Underground; Klavdia Smola,Ilya Kukulin,Annelie Bachmaier Book 2024 The Editor(s) (if

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Eosinophils

https://doi.org/10.1007/978-3-031-56521-2sion. They are called ‘cultural treasures’. […] They owe their existence not only to the efforts of the great geniuses who created them, but also to the anonymous toil of others who lived in the same period.

命令變成大炮

Book 2024ne of the most important forms of cultural resistance in the Soviet Union. Unofficial artists and poets had to reinvent the possibilities of maintaining art and literature that “did not exist”. Against the background of archival theories and memory studies, the volume explores how the culture of the

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Book 2024e outer world – reflected intellectual and artistic trends characteristic of its time. The guiding question of the volume is how Soviet unofficial culture (de)constructed social memory by collecting, archiving and memorizing tabooed culture of the past and present..

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Blood-Vessels

L. S. Arendarenko,R. Oinarov,L.-E. Perssons raise a question about the correlation between today’s memory culture and the archive: the archive as an isolated space of accumulated knowledge is studied in the context of—and, in a certain sense, in epistemological contradiction to—the communicative memory of “l(fā)ive” transmission of knowledge.

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