Titlebook: Wax Impressions, Figures, and Forms in Early Modern Literature; Wax Works Lynn M. Maxwell Book 2019 The Editor(s) (if applicable) and The A

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換話題

https://doi.org/10.1007/978-3-030-16932-9posthumanism; object studies; material studies; early modern literature; Shakespeare; wax figures; early m

冒失

978-3-030-16934-3The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

ABHOR

兇兆

recession

Wax Seals: Gendered Relations in Shakespeare,y imprinted by the pressure of a hard, impervious, and masculine signet. The chapter begins with .-. to show how strongly women were associated with wax in the period. It then turns to Shakespeare’s ., and . to argue that Shakespeare uses the signet–seal trope in ways that disrupt those gender binaries.

縱欲

粗語

Epilogue: A Figure of Wax,This final chapter retraces questions of gender, writing, art, and the nature of humanity that have recurred throughout this project. It also offers additional avenues for exploration in and around wax.

任意

Lynn M. MaxwellContributes to the areas of object studies and material studies.Examines posthumanism in early modern texts.Engages examples from art, literature, philosophy, and science

FIS

Introduction: Wax Concepts,ural uses. Using Tintoretto’s . and Renè Descartes’ . as its two touchstones, this chapter traces various histories and uses of wax in literature, philosophy, art, and other domains to show the multiplicity of ways that wax works in the period and suggest that wax was a valuable material in the peri