Titlebook: Walking and the Aesthetics of Modernity; Pedestrian Mobility Klaus Benesch,Fran?ois Specq Book 2016 The Editor(s) (if applicable) and The

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dilute

How Poetry Comes to Him: An Excursion to Gary Snyder’s Wild Poeticsldness in a natural environment. Such scenes must be discovered on foot; the physical connection with nature precedes inspiration. I read the poem as a myth of origins, distinguishing three levels on which walking is significant. First, as an enabling .; second, as an . of poetic inspiration; and th

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羽飾

Walking with the World: Toward an Ecological Approach to Performative Art Practiceational ecology begins to evolve. I begin with a concept of walking as a “minor practice” that seeks a creative flight from the structured places of the city and from a body’s own capacity to succumb to habit and a loss of breadth of expression. Erin Manning’s writing on the moving body and Arakawa

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Marianne Colston’s Art of Walking: Gendering the Picturesque in ,side her . we frequently find locals who walk and explore the landscape. Moreover, her interest in pedestrian mobility seems related to certain activities and social status. It is furthercomplicated, I argue, by her gender position: what is foregrounded in these illustrations is not an aestheticized

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The Art of Walking and the Mindscapes of Trauma in Thomas De Quincey’s Autobiographical Works: The Porm. He relocated the “peripatetic” in a new, darker environment—the metropolis and its pariahs—sowing the seeds of many modern urban ., and becoming the literary architect of modern London as an enigmatic, alien, palimpsest-like mindscape controlled by a subliminal and emotional form of logic foste

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