Titlebook: Walking and the Aesthetics of Modernity; Pedestrian Mobility Klaus Benesch,Fran?ois Specq Book 2016 The Editor(s) (if applicable) and The

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澄清

“Du croisement de leurs innombrables rapports”: Baudelaire and De Quincey’s ,lk about encounters and connections, or lack thereof. Finally, it is a textual term which refers to the workings of intertextuality. Through the kaleidoscopic lens of this word, the . appears as a figure who traverses space, time, and texts, and whose . were already at work in De Quincey’s writing.

廢除

How Poetry Comes to Him: An Excursion to Gary Snyder’s Wild Poeticsird, as a . that communicates between the natural world and poetic shaping. These three levels structure my readings. I limit myself to poems written between the mid-1950s and the end of the century and evoking rambles in northern California.

Missile

Revisiting the American “Walk Poem”: A.R. Ammons, Charles Olson, and Jonathan Williamsmay not do justice. Williams’s sequence “A Week from the Big Pigeon to the Little Tennessee River” is analyzed as an attempt to construct an aesthetically, culturally, and intellectually agile use of the walk, with little support from an implicit generic framework such as is constituted by lyric in Ammons, or epic in Olson.

tic-douloureux

Musing, Painting, and Writing: Walking as an Art in Diderot’s ,leading role of the promenade motif, understood not only as a concrete activity but also as a heuristic mode of writing, used to formulate and weave together the philosophical and aesthetic ideas of Diderot.

姑姑在炫耀

Following Footprints: Photography, Writing, and the Artist’s Book in Art Walkinglines and trails in both photographs and writing. How do photographs or words evoke the pace of the walk, the rhythm, and the footsteps? And how does the artist’s book play a role in emphasizing the walk itself?

Incompetent

Ascendancy

How Poetry Comes to Him: An Excursion to Gary Snyder’s Wild Poeticsird, as a . that communicates between the natural world and poetic shaping. These three levels structure my readings. I limit myself to poems written between the mid-1950s and the end of the century and evoking rambles in northern California.

中子

Prologue

Revisiting the American “Walk Poem”: A.R. Ammons, Charles Olson, and Jonathan Williamsmay not do justice. Williams’s sequence “A Week from the Big Pigeon to the Little Tennessee River” is analyzed as an attempt to construct an aesthetically, culturally, and intellectually agile use of the walk, with little support from an implicit generic framework such as is constituted by lyric in Ammons, or epic in Olson.