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Titlebook: Walking and the Aesthetics of Modernity; Pedestrian Mobility Klaus Benesch,Fran?ois Specq Book 2016 The Editor(s) (if applicable) and The

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樓主: Waterproof
21#
發(fā)表于 2025-3-25 04:29:06 | 只看該作者
Marianne Colston’s Art of Walking: Gendering the Picturesque in ,ties and social status. It is furthercomplicated, I argue, by her gender position: what is foregrounded in these illustrations is not an aestheticized view of the landscape or of country folks. Rather, Colston set out to create a visual space of her own, a space where she could be seen as an aesthetic subject rather than an aesthetic object.
22#
發(fā)表于 2025-3-25 10:19:45 | 只看該作者
23#
發(fā)表于 2025-3-25 13:46:00 | 只看該作者
24#
發(fā)表于 2025-3-25 16:09:19 | 只看該作者
25#
發(fā)表于 2025-3-25 22:05:25 | 只看該作者
26#
發(fā)表于 2025-3-26 01:01:33 | 只看該作者
Wayfaring in the Megacity: Tsai Ming-Liang’s , and Lav Diaz’s ,nd sprawling urban territory. The film alternates, in its final hours, between tropical forest and the megacity outskirts. In these long-take sequences, wayfaring testifies to an unresolved conflict inherited from the past.
27#
發(fā)表于 2025-3-26 04:24:10 | 只看該作者
A Juggernaut in the Streets of London: Walking as Destructive Force in R.L. Stevenson’s ,blished order, he also wields the power of walking against other pedestrians, often preventing them from creating city-texts of their own. Thus, destructive walking holds threatening implications for De Certeau’s diverse, street-level city.
28#
發(fā)表于 2025-3-26 10:16:38 | 只看該作者
29#
發(fā)表于 2025-3-26 12:50:37 | 只看該作者
30#
發(fā)表于 2025-3-26 19:12:43 | 只看該作者
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