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Titlebook: Vulnerability in Scandinavian Art and Culture; Adriana Margareta Dancus,Mats Hyv?nen,Maria Karlss Book‘‘‘‘‘‘‘‘ 2020 The Editor(s) (if appl

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11#
發(fā)表于 2025-3-23 10:01:42 | 只看該作者
Nowhere Home: The Waiting of Vulnerable Child Refugeesing. The documentary shows unaccompanied minors being offered only temporary residence and thus identifies why these irregular migrants can be characterized as ‘particularly vulnerable’ by having their childhoods put on hold. Although the concept is contested, I conceive vulnerability as based on hu
12#
發(fā)表于 2025-3-23 15:06:46 | 只看該作者
Vulnerability When Fecundity Fails: Infertility and Assisted Reproductive Technologies in tory, Denmark has become an international leader in the proportion of babies born via ART. The third season of the Danish/Swedish television serial . (2015) includes a subplot of infertility and state responsiveness to the involuntarily childless, fertile donors and donor-conceived children. This ch
13#
發(fā)表于 2025-3-23 21:28:48 | 只看該作者
14#
發(fā)表于 2025-3-24 01:13:21 | 只看該作者
Vulnerability and Disability in Contemporary Nordic Literature: Linn Ullmann’s , and Sofi Oksanen’s ion. The article consists of two parts: the first outlines the relation between vulnerability and disability in key texts in the field of literature and disability, and the second uses the concept of vulnerability to explore disability in Linn Ullmann’s . (Picador, London, 2002) and Sofi Oksanen’s .
15#
發(fā)表于 2025-3-24 05:43:48 | 只看該作者
16#
發(fā)表于 2025-3-24 08:12:18 | 只看該作者
Vulnerable Viewer Positions: Queer Feminist Activists Watching st in consumers, the reality TV format is understood as a genre centred on intervention, participation and emotionality, rather than merely representation. Following Sara Ahmed’s thoughts on orientation, the viewers’ emotional reactions of approaching and distancing themselves from the programme are
17#
發(fā)表于 2025-3-24 14:08:34 | 只看該作者
The Art of Beggingrojects: a performance for which the theatre group Institutet paid two migrants begging in Malm? to pose as ‘beggars’ inside the Malm? Fine Arts Museum, and a multiplatform project led by the cartoonist Sara Olausson in collaboration with Felicia Iosif, a homeless woman in Stockholm. In both project
18#
發(fā)表于 2025-3-24 16:10:57 | 只看該作者
19#
發(fā)表于 2025-3-24 21:27:27 | 只看該作者
Facing War: On Veterans, Wounds, and Vulnerability in Danish Public Discourse and Contemporary Art media and political context characterized by a dominant focus on the wounds and scars of Danish veterans, and the effective effacement of the Other, the Afghan, Iraqi, Libyan and other victims of war. The chapter traces the multiple layers of K?rn’s portrait series to analyse how they play with the
20#
發(fā)表于 2025-3-25 01:26:35 | 只看該作者
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