找回密碼
 To register

QQ登錄

只需一步,快速開始

掃一掃,訪問微社區(qū)

打印 上一主題 下一主題

Titlebook: Vulnerability in Scandinavian Art and Culture; Adriana Margareta Dancus,Mats Hyv?nen,Maria Karlss Book‘‘‘‘‘‘‘‘ 2020 The Editor(s) (if appl

[復(fù)制鏈接]
樓主: 相似
11#
發(fā)表于 2025-3-23 10:01:42 | 只看該作者
Nowhere Home: The Waiting of Vulnerable Child Refugeesing. The documentary shows unaccompanied minors being offered only temporary residence and thus identifies why these irregular migrants can be characterized as ‘particularly vulnerable’ by having their childhoods put on hold. Although the concept is contested, I conceive vulnerability as based on hu
12#
發(fā)表于 2025-3-23 15:06:46 | 只看該作者
Vulnerability When Fecundity Fails: Infertility and Assisted Reproductive Technologies in tory, Denmark has become an international leader in the proportion of babies born via ART. The third season of the Danish/Swedish television serial . (2015) includes a subplot of infertility and state responsiveness to the involuntarily childless, fertile donors and donor-conceived children. This ch
13#
發(fā)表于 2025-3-23 21:28:48 | 只看該作者
14#
發(fā)表于 2025-3-24 01:13:21 | 只看該作者
Vulnerability and Disability in Contemporary Nordic Literature: Linn Ullmann’s , and Sofi Oksanen’s ion. The article consists of two parts: the first outlines the relation between vulnerability and disability in key texts in the field of literature and disability, and the second uses the concept of vulnerability to explore disability in Linn Ullmann’s . (Picador, London, 2002) and Sofi Oksanen’s .
15#
發(fā)表于 2025-3-24 05:43:48 | 只看該作者
16#
發(fā)表于 2025-3-24 08:12:18 | 只看該作者
Vulnerable Viewer Positions: Queer Feminist Activists Watching st in consumers, the reality TV format is understood as a genre centred on intervention, participation and emotionality, rather than merely representation. Following Sara Ahmed’s thoughts on orientation, the viewers’ emotional reactions of approaching and distancing themselves from the programme are
17#
發(fā)表于 2025-3-24 14:08:34 | 只看該作者
The Art of Beggingrojects: a performance for which the theatre group Institutet paid two migrants begging in Malm? to pose as ‘beggars’ inside the Malm? Fine Arts Museum, and a multiplatform project led by the cartoonist Sara Olausson in collaboration with Felicia Iosif, a homeless woman in Stockholm. In both project
18#
發(fā)表于 2025-3-24 16:10:57 | 只看該作者
19#
發(fā)表于 2025-3-24 21:27:27 | 只看該作者
Facing War: On Veterans, Wounds, and Vulnerability in Danish Public Discourse and Contemporary Art media and political context characterized by a dominant focus on the wounds and scars of Danish veterans, and the effective effacement of the Other, the Afghan, Iraqi, Libyan and other victims of war. The chapter traces the multiple layers of K?rn’s portrait series to analyse how they play with the
20#
發(fā)表于 2025-3-25 01:26:35 | 只看該作者
 關(guān)于派博傳思  派博傳思旗下網(wǎng)站  友情鏈接
派博傳思介紹 公司地理位置 論文服務(wù)流程 影響因子官網(wǎng) 吾愛論文網(wǎng) 大講堂 北京大學 Oxford Uni. Harvard Uni.
發(fā)展歷史沿革 期刊點評 投稿經(jīng)驗總結(jié) SCIENCEGARD IMPACTFACTOR 派博系數(shù) 清華大學 Yale Uni. Stanford Uni.
QQ|Archiver|手機版|小黑屋| 派博傳思國際 ( 京公網(wǎng)安備110108008328) GMT+8, 2025-10-6 21:19
Copyright © 2001-2015 派博傳思   京公網(wǎng)安備110108008328 版權(quán)所有 All rights reserved
快速回復(fù) 返回頂部 返回列表
达尔| 客服| 兴安盟| 武隆县| 澎湖县| 成安县| 深州市| 黄冈市| 寿阳县| 绵阳市| 烟台市| 日喀则市| 渭源县| 古丈县| 鄂温| 安新县| 平度市| 张掖市| 双柏县| 南漳县| 叙永县| 望城县| 庆阳市| 乌拉特前旗| 清丰县| 怀仁县| 会泽县| 宝坻区| 招远市| 义马市| 会泽县| 措勤县| 泗水县| 南部县| 翼城县| 绥化市| 泉州市| 田阳县| 嵩明县| 香港| 盐城市|