Titlebook: Visualizing Landscape Architecture; Functions, Concepts, Elke Mertens Book 2010Latest edition Birkh?user Basel 2010 Design.Landscape archit

失望未來

有權(quán)威

采納

aspersion

thus far is followed by a systematic presentation of modes of representation in two, three, and four dimensions – in the plane, in space, and in the temporal process. The second section deals with the sequence

ODIUM

言外之意

Planning processs and drawings from selected design projects. They demonstrate the role of visual presentations in the different stages of the design process, with an emphasis on the ways in which different forms of presentation relate to each other.

lethal

Timeto a large extent on time as well. Time is one basis on which the interface between man and nature is organized. The rhythms of days, weeks and years have a direct effect on open spaces. Planning is always directed at changes that lie ahead in time.

MUTED

Introduction able to meet ecological requirements. Their work includes comprehensive and sustainable planning of the environment as it is lived in, and reconciling the different demands for creating open spaces capable of facing the future. The design process as an essential part of landscape architects’ activi

AXIS

reception

Space the three-dimensional environment. One of its technical terms, used alongside with “open area”, and sometimes synonymously, is “open space”, understood as usable space in the open air without building in the conventional sense of the term. This means that landscape design refers to human perception