Titlebook: Visuality and Identity in Post-millennial Indian Graphic Narratives; E. Dawson Varughese Book 2018 The Editor(s) (if applicable) and The A

評(píng)論者

Digest

Modes of Visuality in New India,ns by considering the twenty-first century and the call to ‘see’ challenging images. The chapter moves on to discuss sacred and secular moments of seeing within Indian cultures and how ‘seeing’ is a mode of ‘knowing’ (following Bhatti and Pinney). The chapter specifically considers a shift in how In

供過(guò)于求

人類(lèi)的發(fā)源

TIGER

BOOR

Book 2018n graphic narratives. If seeing in Indian cultures is a mode of knowing then what might we decode and .know .from the Indian graphic narratives examined here? The book posits that the ‘seeing’ of post-millennial Indian graphic narratives revolves around a visuality of the inauspicious, complemented

Panther

Conclusions: Decoding Current Lines and Future Spaces,hapter also explores what we can . from understanding how inauspiciousness is conveyed in form and content in Indian graphic narratives. A summary of findings from the analyses of Chaps. . and . of this book appears here.

戲法

礦石

Visuality and Identity in Post-millennial Indian Graphic Narratives978-3-319-69490-0Series ISSN 2634-6370 Series E-ISSN 2634-6389

inscribe