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Titlebook: Visual Heritage: Digital Approaches in Heritage Science; Eugene Ch‘ng,Henry Chapman,Andrew S. Wilson Book 2022 Springer Nature Switzerland

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樓主: Addendum
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發(fā)表于 2025-3-26 21:39:08 | 只看該作者
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發(fā)表于 2025-3-27 02:03:30 | 只看該作者
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發(fā)表于 2025-3-27 13:02:12 | 只看該作者
Curious Travellers: Using Web-Scraped and Crowd-Sourced Imagery in Support of Heritage Under Threatltural heritage (monuments, sites and landscapes) and the narratives that see the impact upon them. The Curious Travellers project provides a mechanism for digitally documenting heritage sites that have been destroyed or are under immediate threat from unsympathetic development, neglect, natural dis
35#
發(fā)表于 2025-3-27 14:45:04 | 只看該作者
Visualising Deep Time History in Context Using Accessible and Emergent Technologies: The GLAM Sectorral Collections (UONCC) and the GLAMx Living Histories Digitisation Lab to create the heritage visualisation project Deep Time. The collaborative process facilitates a diversity of ‘voices’ around heritage in the digital age by taking a digital and information technology, and GLAM (Galleries Librari
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39#
發(fā)表于 2025-3-28 09:17:31 | 只看該作者
Resurrecting Hor: The Philosophical Application of the Digital Traditionimension to those of the ancient Egyptians with a divine dimension. Its technical foundation is provided by the methodology used to 3D scan and digitally reconstruct the fragmentary statue of the admiral Hor in the Manchester Museum (Acc. no. 3570), merging the authentic reproduction with a digitall
40#
發(fā)表于 2025-3-28 14:14:29 | 只看該作者
Visualising Animal Hard Tissuesfication of osseous and keratinous animal hard tissues. The choice of materials in the manufacture of individual artefacts or classes of objects can make a major contribution to understanding their cultural significance and questions of provenance or authenticity. This resource builds on understandi
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