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Titlebook: Visions of Struggle in Women‘s Filmmaking in the Mediterranean; Flavia Laviosa Book 2010 Palgrave Macmillan, a division of Nature America

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樓主: FARCE
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發(fā)表于 2025-3-23 13:47:40 | 只看該作者
12#
發(fā)表于 2025-3-23 16:08:05 | 只看該作者
more important reasons for this increased interest are the large numbers of naturally-occuring resistant biotypes (from one in the early 1970s to over 250 biotypes in 1989 [1]) and the large number of herbicide-resistants mutants that have been selected in cell culture, by mutation of the “plant-gen
13#
發(fā)表于 2025-3-23 19:10:56 | 只看該作者
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發(fā)表于 2025-3-24 00:23:14 | 只看該作者
https://doi.org/10.1057/9780230105201Arabic; cinema; critique; French; mediterranean; poetry; women
15#
發(fā)表于 2025-3-24 06:03:54 | 只看該作者
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發(fā)表于 2025-3-24 09:01:39 | 只看該作者
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發(fā)表于 2025-3-24 14:24:35 | 只看該作者
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發(fā)表于 2025-3-24 16:40:30 | 只看該作者
This Woman’s Work: Filming Defeat in the Arabic Idiom: Poetry, Cinema, and the Saving Grace of Hala e counterparts. Conversely, in countries where women’s rights have not been a chief concern of the state or regime, but where society remains (relatively) open, tolerant, dynamic, and politically plural, like Palestine and Lebanon, the ratios come closer to being equal.
19#
發(fā)表于 2025-3-24 19:37:49 | 只看該作者
My Terrorist , My Land Zionassimilating different people from diverse ethnic, religious, and national groups, its hegemonic culture imagines, views, and represents itself as the origin and cradle of “Western Civilization” at the expense of excluding its rich and diverse Arab, Muslim, Jewish, Levantine, African, and Semitic cu
20#
發(fā)表于 2025-3-25 02:57:26 | 只看該作者
The Wiles of Maghrebi Women’s Cinematheless manufactured and sustained an uncommon form of resistance that goes against the grain of at least two superimposed patriarchal systems: the global system of film production, and the regional configuration of culture, society, and politics particular to Algeria, Morocco, and Tunisia.
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