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Titlebook: Visible and Invisible Whiteness; American White Supre Alice Mikal Craven Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Bir

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發(fā)表于 2025-3-26 22:27:45 | 只看該作者
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發(fā)表于 2025-3-27 04:59:32 | 只看該作者
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發(fā)表于 2025-3-27 06:39:12 | 只看該作者
Invisible Whiteness mise en abyme: ,ons of cultural translation and racial essentialism often focused on by critics of the novel but is more concerned with looking at its American-style cinematic. Drawing on James Baldwin’s assessment of the film as well as Douglas?Field’s discussion of the film’s film noir style, this chapter explore
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發(fā)表于 2025-3-27 09:41:08 | 只看該作者
,Rachid Bouchareb’s , and His American Trilogy: Cultural Transpositions,xpressly uses the American thriller genre in order to deconstruct the codes and myths of that genre. It suggests that the film illustrates a transposition of racial issues endemic to Bouchareb’s cultural contexts onto American Hollywood-style landscapes and cinematic tropes. With recourse to Baudry’
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發(fā)表于 2025-3-27 16:47:36 | 只看該作者
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發(fā)表于 2025-3-27 20:34:37 | 只看該作者
Book 2018he cinema. Close readings of D.W. Griffith’s .The Birth of a Nation. by James Agee and James Baldwin explore these authors’ perspectives on the American mythologies which ground Griffith’s film. The intersectionality of Bordwell’s theories on Classical Hollywood Narrative .versus. Art Cinema and Ric
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發(fā)表于 2025-3-27 22:34:30 | 只看該作者
,“A Monstrous Wrong”: James Agee and the Miraculous , well what James A. Crank refers to as Agee’s “anatomy of guilt” concerning racial segregation and violence in America. The chapter also places Agee’s reviews of Griffith in the context of his commentaries on other films that broach issues or themes of American white supremacy.
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發(fā)表于 2025-3-28 03:17:56 | 只看該作者
Conclusion: Cinema, Our Dark Mirror,ble realities are in many cases propped up by easily glossed over ideologies such as the myth of American white supremacy, a claim explored throughout the chapters of this book. Mythological metanarratives often come back to haunt us when we pause to study the deeper fabric or cinematic excess of those films’ compositions.
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發(fā)表于 2025-3-28 09:39:52 | 只看該作者
ce. So prepared data is used in stage two to create models on the basis of autoregressive neural network describing variability of the analysed LED Sign Communications Network parameters. Next, relations between the expected network traffic and its real variability are examined in order to detect ab
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發(fā)表于 2025-3-28 13:50:28 | 只看該作者
Alice Mikal Craven samples are used to construct the metamodel, which is further refined with 20 infill points using expected improvement. The metamodel is validated with the normalized root mean square error based on 20 test data samples. The refined metamodel is used to search for the optimal design using a multi-s
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