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Titlebook: Virtual Weaponry; The Militarized Inte Aaron Tucker Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Militarized Internet.Tra

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發(fā)表于 2025-3-21 19:26:26 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Virtual Weaponry
副標(biāo)題The Militarized Inte
編輯Aaron Tucker
視頻videohttp://file.papertrans.cn/984/983393/983393.mp4
概述Updates the genre of the war film by discussing how the integration of Internet-enabled technologies has changed aspects of the genre, specifically the construction of the enemy, the soldier and comba
圖書封面Titlebook: Virtual Weaponry; The Militarized Inte Aaron Tucker Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Militarized Internet.Tra
描述This book examines the convergent paths of the Internet and the American military, interweaving a history of the militarized Internet with analysis of a number of popular Hollywood movies in order to track how the introduction of the Internet into the war film has changed the genre, and how the movies often function as one part of the larger Military-Industrial- Media-Entertainment Network and the Total War Machine. The book catalogues and analyzes representations of a militarized Internet in popular Hollywood cinema, arguing that such illustrations of digitally networked technologies promotes an unhealthy transhumanism that weaponizes the relationships between the biological and technological aspects of that audience, while also hierarchically placing the “human” components at the top. Such filmmaking and movie-watching should be replaced with a critical posthumanism that challenges the relationships between the audience and their technologies, in addition to providing critical toolsthat can be applied to understanding and potentially resist modern warfare..
出版日期Book 2017
關(guān)鍵詞Militarized Internet; Transhumanism; Posthumanism; Modern Warfare; War Film; Science Fiction Cinema
版次1
doihttps://doi.org/10.1007/978-3-319-60198-4
isbn_softcover978-3-319-86803-5
isbn_ebook978-3-319-60198-4
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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發(fā)表于 2025-3-22 03:43:31 | 只看該作者
Introduction: Virtual Weaponry, periods that overlap with my films of interest (1980–present). From this history, the introduction contextualizes the project within the genre of the war film, focusing on Internet-enabled technologies’ roles within the genre as a whole, using scholars such as Steve Neale, Robert Eberwein, Jeanine
地板
發(fā)表于 2025-3-22 04:53:54 | 只看該作者
The Hard Technological Body in the Exoskeletal Soldier,ce for both “a type of national character” and “the nation itself.” The “mastery” that the hard body represents is echoed in the equally spectacular hard technological bodies of the exoskeleton-enhanced protagonists of . and .. The hard technological body arises in reaction to the increased globaliz
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發(fā)表于 2025-3-22 11:47:38 | 只看該作者
The Soldier Interfaces on the Digitally Augmented Battlefield,ly dissipated within movies and have instead been replaced by a new model of soldier that is exemplified by the near-literal man-in-the-middle suits of the . films and the duo-wielded cyberconnected Jaeger pilots in .. Different from the hard technological body, the suits present an entirely differe
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The Civilian Soldiers of Cyberwarfare,tary has used to completely abstract war into distanced data points begin to be repurposed by civilian users and turned back upon the American State War Machine as a means to combat and expose that very military machinery. Recent films, such as ., . and ., present civilian protagonists that effectiv
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發(fā)表于 2025-3-23 03:29:58 | 只看該作者
Book 2017 a number of popular Hollywood movies in order to track how the introduction of the Internet into the war film has changed the genre, and how the movies often function as one part of the larger Military-Industrial- Media-Entertainment Network and the Total War Machine. The book catalogues and analyz
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